XENA
- ANOTHER SEASON 5 - Episode 6
THEY
LIVE
by
Andreas Hloupy (andreas.hloupy@siemens.at)
Follow
the whole TV-like series on http://members.tripod.com/XENA_Another_Season5/index.html
Xena:
Warrior Princess, Gabrielle, Argo and all other characters who have appeared in
the syndicated series Xena: Warrior Princess, together with the names, titles
and backstory are the sole copyright property of MCA/Universal and Renaissance
Pictures. No copyright infringement was intended in the writing of this fan
fiction. All other characters, the story idea and the story itself are the sole
property of the author. This story cannot be sold or used for profit in any way.
Copies of this story may be made for private use only and must include all
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NOTE:
All works remain the © copyright of the original author. These may not be
republished without the author's consent
EXT. Tartarus, Forest clearing - Day
It?s a
small, burned out clearing in the middle of a dense forest. Large but unhealthy
looking trees surround it, with their almost leafless branches reaching over the
clearing to provide a kind of a roof. Smaller trees and bushes, forming thick
undergrowth, fill the room between the massive trunks.
What
little can be seen of the sky over Tartarus is gray, dark, providing almost no
daylight.
GABRIELLE
is standing alone in the middle of the clearing. She wears a dirty, ragged
outfit consisting mostly of cloth and leather bands covering her chest, lower
arms and the area between hip and knees ? she is barefoot. She holds two
wooden sticks, one in each hand ? very similar to the Amazon fighting sticks
called chobos. They have leather bands partly wrapped around them for a better
grip.
She
carries out a series of fighting moves with the chobos, defending against a few
imaginary opponents ? the moves look competent and effective. Gabrielle seems
concentrated and calm.
After a
few more maneuvers she stops for a moment. When she continues, the moves change
from defensive to offensive, aggressive. Now she definitely attacks the
invisible foe, her facial expression changing towards belligerent and hostile.
The
strain of the exercise is clearly visible. Gabrielle is sweating heavily now,
her hair sticking to her head and covering part of her face. Her breath is hard
and irregular.
Finally
she stops her practice and leans with her back against one of the big trees,
deeply in- and exhaling ? she closes her eyes.
When
TELCHIN, the lightly build and mentally unstable arsonist who had befriended
Gabrielle in this realm of the damned, steps onto the clearing Gabrielle
doesn?t seem to notice.
Telchin
wears an old, dark robe and faint reminders of sandals. He has his usual
haunted, restless expression on his face ? although he calms down a little bit
when he sees the bard.
Gabrielle
I
almost went looking for you.
Telchin
Oh,
I just lost my way a little bit, lost a little. How went your practice, your
fight?
Gabrielle
Good
? I remembered another move that I had seen from the Amazons.
Telchin
I
hope we won?t need your new skill.
Gabrielle
opens her eyes and pushes herself away from the tree ? her breath is now
normal again.
Gabrielle
I
once thought I can just lay down all weapons and follow a nonviolent path. But
on my way, there is no room for peacefulness ? I wish it would be otherwise
but it isn?t. I envy Eli ? his strength is so different to mine.
Telchin
Eli
? the preacher you told me about, your preacher?
Gabrielle
Yes.
He probably would be disappointed ? I followed Xena on her journey ? until
the very end.
Gabrielle
takes both chobos in her left hand and with the right hand she moves her hair
back, away from the face.
Gabrielle
When
I made the choice to share her life, I didn?t know the consequences ? but
when I decided to share her death I finally knew what to do.
Telchin
Still,
I would prefer a peaceful afterlife.
Gabrielle
Telchin,
everyday we wake each other with the sound of nightmares ? the rest of the day
we both yearn for something that we will never see again ? you for the tiniest
of flames and I ? for Xena, for the chance to see her again, only once.
Telchin
drops his head and stares to the ground. Gabrielle watches him with a
determined, almost cold look on her face.
Gabrielle
We
will have to make the best out of it ? an eternity between the worst scum that
has lived and died since the beginning of mankind ? that asks for trouble,
sooner or later. And there is no place to hide.
CUT
TO:
EXT. Elysian Fields, Green hill - Night
A series
of soft, green hills are stretching as far as one can see, the knee high grass
bending under a refreshing breeze. The sky is blue and clear.
First
SOLAN, than XENA, only a few yards behind him, come running up one of those
hills. Both are dressed in simple white togas and are running barefoot, laughing
all the way.
Xena is
closing in fast and actually catches her son right before they reach the top.
Xena tries to grab Solan around the chest, but he avoids her hands. Both are
dragged forward by their momentum and they stumble ? fall. They roll a few
more yards through the grass before they lay still.
Solan
I
win!
Xena
You
didn?t reach the top before I got you!
Solan
sits up and looks over to his mother.
Solan
But
I have reached the top now. Look around.
Xena
closes her eyes, smiling.
Xena
Okay,
you win. The next time we cut your lead ? you?re getting too good at it.
Solan
I?ll
have to tell Marcus about that.
Xena
I?m
sure you won?t forget one little detail. Has he finished your tree house yet?
Solan
No,
but I would like to help him anyway.
Solan
stares at Xena?s face, his expression getting thoughtful.
Solan
Mother?
Xena
Yes?
Solan
Are
you happy?
Xena
opens her eyes and her face gets serious. She sits up too.
Xena
As
long as I am with you ? yes, than I?m truly happy.
Solan
And
when I am not around?
Xena
Don?t
trouble yourself with that ? I?ve found peace here.
She
sighs.
Xena
My
soul might not be complete ? but the part that is here has family ? friends
? enough reason for a joyful existence. Love has found a way.
CUT
TO:
EXT. Mountain, A little stream - Day
It?s a
massive scenery ? a host of sky-high mountains fills the horizon on every
side, their peaks lost in dark clouds. Smaller mountains and foothills fill the
area in between. Vegetation is scarce at best and snow reaches down from almost
every mountaintop.
A small
path leads along a small stream up to one of those foothills. Although day the
long shadows of the mountains in the background and the dark sky in between
prevent the sun from entering this valley and so everything lies in a kind of
twilight.
Only the
sounds of the water can be heard.
Suddenly,
CALLISTO appears in a flash of light. She wears a heavy coat, leather boots,
thick gloves and a fur cap. She carries a heavy backpack including a bedroll.
What
little can be seen from her face looks angry.
Callisto
Why,
by your hell, do I have to ? walk?
The
voice answering her comes from nowhere, sounding like thunder rolling down the
mountainside.
Voice
(OFF)
We
don?t enter some peasant?s hut ? you will approach a fortress, a
sanctuary, a temple that was build even before the gods were born, even before
the Titans ruled this land. Ares protects it, Zeus watches over it, ?
Callisto
Cut
it. So you can?t do it ? fine, I?ll walk.
Voice
(OFF)
Why
do I keep up with your impertinence?
Callisto
Because
you need me?
Voice
(OFF)
I
have millions of minions at my disposal.
Callisto
I?m
flattered ? let?s just say I?m the best woman for the job.
Voice
(OFF)
You
will not fail me!
Callisto
We
have a deal ? I?ll do my part.
Voice
(OFF)
Good.
Callisto
The
map will show me the way up and into these mountains, the book will open the
gates ? tell me again, what does the scepter do?
Voice
(OFF)
It?s
the key. The scepter of Ganymede ? to unlock the treasure.
Callisto
I
thought we?re after a mirror?
Voice
(OFF)
We
are.
Callisto
So
where?s the profit in a piece of glass?
Voice
(OFF)
It
will bring my kingdom to this world ? first gods and heroes have to be
vanquished, than, from the ruins, a new kind of world will rise, formed after my
will.
Callisto
Nice
story ? let?s cut the crab and go to work.
No
answer this time, the voice seems to have vanished. Callisto looks around for a
few moments, than shrugs her shoulders and pulls a scroll out of her coat. She
unrolls it and holds it up, looking at it intensely.
Callisto
That
won?t be a stroll down the lakeside.
CUT
TO:
TITEL SEQUENCE
CUT
TO:
EXT. Mountain, Steep path - Day
A steep
path leads fairly straight up a mountainside, vegetation is scarce and snow
covers rocks and the occasional tree. Deep cracks in the rock face determine the
exact route. A strong wind blows down from the distant mountaintop.
CALLISTO
fights her way up this path, leaning forward against the rise and the wind.
When the
path splits right in front of her, she stops for a moment to get out and take a
careful look at the map she still carries under the heavy coat. She tries to
shield it from the wind while reading it. Her face is hidden under the fur cap.
After a
few moments of research she puts the map back under her coat and turns to
continue her way up.
But when
she rises one foot to make her first step, the other loses its grip and Callisto
falls forward. In addition to that the ground beneath her gives way, big and
small rocks starting to role down the path.
Hitting
this mass of moving rock Callisto starts to slide down the path. She desperately
tries to get up or at least grab something that might stop her accelerating
decent - but nothing helps.
This
roller coaster ride leads directly towards one of the bigger cracks in the rock.
Feet first Callisto approaches the cliff like riding on a sledge. The sound has
by now reached a deafening state.
For a
moment, Callisto gets hold of a dead tree root, grabbing it with her
glove-covered right hand. But the rockslide immediately carries her on again and
she loses the grip - the glove is ripped from her hand and she continues her
slide.
Now she
starts to shout angrily and continues to feel for something to grab and stop her
movement.
Callisto
Aaah!
Finally
the slide reaches the crack and the rocks are catapulted into a free fall down
the chasm. Callisto's body also loses every contact to the ground and seems
destined to plunge to its death.
But
Callisto somehow gets hold of a small ledge with her naked right hand. When her
body drops down she claws her fingers into the rock.
While
she dangles over the abyss, tons of stones and rocks slide past her into the
crack. When she tries to grab the ledge with her left hand, too, her arm is hit
by one of the bigger rocks and she winces in pain.
Callisto
(shouting)
Aaah.
I hate rockslides!
Finally
the last rocks drop past Callisto and the noise quiets down. She is left hanging
from the ledge on her right arm - while the left arm seems broke or at least
dislodged - and only the sound of the wind can be heart.
Callisto
Help?
(shouting)
Help
me!
Callisto
tries to pull herself up with only one arm, but she can't.
Callisto
Maybe
when I get rid of the backpack ?
Voice
(OFF)
Don't
you dare!
The
VOICE is seemingly coming from everywhere. It sounds dark, angry.
Callisto
I
thought you cannot approach the mountain.
Voice
(OFF)
I
didn't want to ? I shouldn't ? the gods may become aware of me ? but your
failure gives me no other choice.
Callisto
If
you want to save your precious scepter you better act quick ?
Callisto
by now breathes heavily and her hand has started to slip from the rocky ledge.
Voice
(OFF)
Maybe
I have put to much faith in you.
Callisto's
hand finally loses the grip and Callisto drops away from the ledge.
But
suddenly she disappears in a flash - moments later she reappears on the spot
where her downslide has started, only about two yards above it.
She
crashes heavily into the ground and immediately grabs her left arm with her
right while quickly struggling to her feet.
Callisto
Aaah!
It's broken ? it's broken!
Voice
(OFF)
Stop
whining ? you have a long way before you ? you're not allowed to give up
yet.
CUT
TO:
EXT. Tartarus, Forest - Night
It's
night over Tartarus, which means it's a little darker than usual. The forest is
quiet, dead. It's a not so dense part of the wood, between the large trees there
is almost no undergrowth. There is nothing green worth mentioning, only dead
trunks and lifeless branches.
One
thing is unusual, though ? a beautiful deer is standing right next to a few
smaller trees, looking around. It seems quiet, calm.
Suddenly
a group of four male souls appears between the trees. They have surrounded the
deer before they approached it. They are all wearing simple, overused clothes
and carry sharpened sticks.
They
slowly close in on the deer, pointing their spears at it. Even so they outnumber
it they seem careful, if not scared.
Voice
(OFF)
Let
it go!
All four
hunters turn their heads towards the owner of the voice ? GABRIELLE. She has
appeared behind one of them, only a few yards away. She is wearing her outfit
mad from cloth and leather bands and holds the chobos in her left hand.
The
group of hunters doesn't react.
Gabrielle
I
said, leave it alone. Your not alive anymore ? there is nothing you achieve by
killing this creature.
The
closest soul, seemingly the LEADER, now turns completely towards her and leans
against his spear.
Leader
You
don't understand, precious ? we just do it for sport ? entertaining. But
maybe it's more fun if we took care of you?
All four
now start to grin, obviously liking the idea. Gabrielle actually smiles back,
taking one of her chobo sticks into the right hand and extending her arms to the
side, away from her body.
The
whole time the deer watches the scene with very intelligent eyes.
Gabrielle
I'm
not helpless, you know.
Leader
And
we're not stupid.
The
leader raises his spear and waits for a moment. The other three quickly join in,
raising their pointed sticks, too.
Gabrielle
just waits, now calm and concentrated, stepping back with her right foot to give
her a better stand.
Leader
Now!
All four
of them throw their spears.
Gabrielle
doesn't try to dodge the weapons - instead she uses her chobos in a few
lightning quick maneuvers. The spear of the leader reaches her first, of course,
as he is the closest. She sweeps it to the side with the stick in her right arm.
The next one is pushed upwards over her head with both sticks. The last two
reach her in the same moment - she just hits them from above with her sticks and
both drive into the ground only inches away from her left foot.
The
hunters are stunned, staring at her with open mouths.
Gabrielle
now moves quickly forward, passing through the two spears in the ground and
attacking the leader in front of her.
She
crosses the sticks and pushes them against the throat of the surprised hunter.
The man goes down immediately, grabbing his throat and letting out a few
unarticulated sounds.
Gabrielle
steps over his wincing body and stops for a moment, looking around to choose her
next opponent. But the three other hunters have decided otherwise - they just
turn and run, leaving her leader behind.
Gabrielle
again takes both chobos into her left hand and slowly approaches the deer,
extending the empty right hand towards it.
Gabrielle
You
don't have to be afraid ? they're gone now.
CUT
TO:
INT. Elysian Fields, Hall of Heroes - Day
The hall
is one huge ring with a dome on top. The circular room has a diameter of one
hundred yards or more, being at least as high. The dome has a hole on top that
let?s light in ? the rest is covered with paintings of heroes, gods and
their most famous deeds.
The
walls are covered with tapestry, filled with big Greek letters, listing all the
names of the great heroes. This reaches from the bottom of the dome almost to
the ground.
The
bottom level of the wall is covered with a selection of weapons, armors and
other tools used by the different heroes ? going all around the hall.
The
floor of the hall is made of marble ? but the whole hall is empty with the
exception of those wall decorations.
XENA is
standing alone in the middle of the hall. She thoughtfully stares at the dome
above her, letting her eyes wander along the paintings.
She
wears a new white toga and small sandals.
Voice
(OFF)
Glorious
days, weren't they?
Xena
doesn't move - she seems not surprised.
Xena
I
knew you would come ? sooner or later.
ARES has
appeared only a few feet away from her. He slowly musters her from top to
bottom.
Ares
I
thought you would be happy to see a familiar face.
Xena
turns her head towards him, also mustering him.
Xena
Familiar
maybe ? but not welcome. Don't you have a war to plot?
Ares
Nothing
could keep me away from visiting my warrior princes.
Xena
You
never owned me ? you never will.
Ares
You're
just saying that because ? you're dead.
Xena
You've
lost, Ares.
Ares
My
loss is everybody's loss ? I'm a god.
Xena
turns away and slowly walks towards the big, open door leading outside.
Xena
I
thought Hades doesn't allow the other gods to enter the underworld anymore.
Ares
Hades
knows I'm here ? there is a good reason for my visit.
Xena
Are
there not enough mortals anymore to satisfy your hunger, Ares? Do you have to
visit the morgue?
Ares
slowly follows Xena towards the exit.
Ares
You
don't understand. I'm here because of old times sake ? you still hold a
special place in my heart.
Xena
stops right in front of the doorway and turns back towards Ares.
Xena
I'm
no longer your toy, Ares ? my time has ended.
Ares
I
might have failed with you ? but look into the world. I've won ? war is
ruling the mortal realm.
Xena
I
guess you're proud of it?
Ares
It's
like raising a child ? watching it stretch its arms and legs, slowly growing.
Xena
Than
go on and enjoy your victory ? there is nothing more to say.
CUT
TO:
EXT. Tartarus, Forest - Night
The
forest lies there as before - dark, quiet, dead.
GABRIELLE
has almost reached the deer, which seems to watch every step by the bard.
Gabrielle
How
could a beautiful creature like you have come to Tartarus?
Before
Gabrielle can touch the animal it backs away. Gabrielle stops and the deer
stops, too.
Gabrielle
Okay,
so that's close enough.
Gabrielle
sighs.
Gabrielle
There
are thousands of tortured souls out there that would love to hunt you down ?
just for a little distraction.
Voice
(OFF)
They're
better off leaving me alone.
Gabrielle
steps back, surprised - the voice seems to come from the deer.
Suddenly,
an eerie light appears around the animal and the creature slowly transfers into
a beautiful dark-haired WOMAN.
She is
dressed like an Amazon, with a scanty, two-part leather outfit, adorned by bands
and feathers. She wears leather boots, a dagger in the belt, a bow on the back
and a simple, but colorful woven band around her head instead of a mask.
Gabrielle
stares at her, utterly surprised while the woman is silently smiling, watching
her patiently.
Gabrielle
You
? you're ?
Woman
Yes,
I'm Artemis, goddess of the Amazons.
CUT
TO:
COMMERCIAL BREAK
CUT
TO:
EXT. Tartarus, Forest - Night
The
forest lies there as before - dark, quiet, dead.
ARTEMIS
is still standing only a few feet away from GABRIELLE, smiling. The bard is
slowly regaining his posture and her look turns from surprised into questioning.
Gabrielle
But
? what ?
Artemis
All
questions shall be answered ?
(smiling)
?
if you manage to get them out.
Gabrielle
Why
are you here?
Artemis
You're
an Amazon, aren't you?
Gabrielle
If
I ? was one, why I'm here? Xena told me of the Amazon afterlife.
Artemis
Oh,
that little detail ? one could argue, you cannot be an Amazon because you're
not born one.
Gabrielle
You
think I am ? an Amazon?
Artemis
slowly walks past Gabrielle towards the two spears the stick out of the ground,
examining them.
Artemis
You
should be ? you were their queen.
Gabrielle
By
accident.
Artemis
By
fate. Don't underestimate your calling, Gabrielle. Of course, there were greater
Amazon queens in the past ? it once was a great, proud nation ? but you can
find a place amongst them.
Gabrielle
I'm
no longer queen ? and I'm dead.
Artemis
Neither
of which has to stay that way.
Gabrielle
is stunned ? again she just stares at the goddess.
Artemis
Don't
you want to live?
Gabrielle
But
? why?
Artemis
I
need you ? the Amazons need you. The nation is crumbling ? you can save
what's left.
Gabrielle
You're
offering me ? life?
Artemis
It's
not that easy.
Gabrielle
nods, her expression turns into anger.
Gabrielle
It
never is. What would I have to do for this ? gift? Kill someone? Lead them
into war?
Artemis
You
don't understand. It's not about the Amazons alone anymore. Hades and the other
gods know, that I'm here ? there is more at stake than the leadership of my
people. You're the last hero the Amazons have ? they ? I need you.
Gabrielle
suddenly seems to get an idea.
Gabrielle
You
? you asked Hades to send me into Tartarus. You thought I would be easier to
convince.
Artemis
steps right in front of Gabrielle, looking her straight into the eyes,
seriously.
Artemis
I
didn't ? but I know who did ? it's not important either way. Your people
need you ? they are calling for you.
Gabrielle's
look gets softer, sad - she looks down to the ground.
Gabrielle
I
will never again give up the way of friendship.
Artemis
smiles.
Artemis
I
know ? you're soul is strong, radiant. You're not born to be protected ?
you're born to protect. Let me give you back your life ? and reclaim the
Amazon throne.
Gabrielle
It's
not that easy.
Artemis
But
it is. You just have to say the word and you can follow your destiny in the
mortal world.
Gabrielle
And
take back the mask of the queen?
Artemis
Yes
? and accept ? a debt.
Gabrielle
raises her head, surprised.
Gabrielle
What?
Artemis
A
debt ? a service I will have to ask from you somewhere in the future.
Gabrielle
(angry)
So
? so that what it's all about?
Artemis
I
can't tell you more right now ? but you have to trust me.
Gabrielle
Trust
you?
Gabrielle
backs away from the goddess until she leans against a tree, staring at her.
Gabrielle
Why
didn't you help the Amazons when they needed you ? why didn't you help me? You
tell me I'm an Amazon! What sacrifice can you ask that we haven't already given?
Artemis
Gabrielle,
would you be an Amazon by birth than you would know that they are a proud nation
? they wouldn't accept pity by anyone, not even a goddess. I cried, seeing
their downfall ?
Gabrielle
When
gods cry than it's because one of their toys is broken ? not because they
care.
Artemis
Gabrielle,
don't ?
Gabrielle
No
? I will not accept. You will have to find someone else to carry your debt.
CUT
TO:
EXT. Mountain, A Fortress at the top - Day
It's the
top of one of the smaller mountains. All around higher peaks rise into the sky,
walls of rock that surround it, hiding this foothill from any outside view as
well as keeping most of the light away. With clouds covering the sky, it's much
darker than one could expect at this time of day. No plants - and no animals -
seem to exist and it's quiet and calm.
Right in
the middle of the snowy plateau a stone fortress can be seen. It looks more
carved than build - walls surround a central tower, all massive and big.
How big
can only be understood when CALLISTO, who is approaching the massive gate, is
compared to it. The walls seem at least 120 feet high, and the tower in the
middle may well be over 300 feet.
Callisto,
carrying her left arm in a provisional cast, crosses the plateau with slow,
tired steps. She has lost or put away her cap and her face shows the strain of
her journey. Her breath is heavy, sporadically - and clearly visible in the cold
air.
CUT
TO:
EXT. Fortress, The gate - Day
Right in
front of them the walls of the fortress seem to touch the sky - the gate, a
massive wooden wall itself, is at least 60 feet high. No opening seems to exist
in the gate or the wall.
CALLISTO
approaches the gate without looking. When she reaches it she drops her backpack
and than sits down, with the back leaning at the gate. Her right hand holds the
left arm and every movement seems to result in pain - that pain is the only
thing that results in any facial movement. Other than that Callisto just stares
straight ahead, seemingly in trance.
Slowly,
her breath gets easier and regular. Finally she drops her head back and closes
her eyes.
Callisto
That
wasn't so hard.
She
takes one deep breath, than she opens her eyes, leans forward and pulls the pack
towards her. With only the right hand she opens it and pulls out a book,
obviously old. It's a large tome, bound in heavy leather and darkened by the
centuries.
She
places the book on her lap and carefully opens it - again only with her right
hand. She turns a few pages, obviously searching a certain passage.
Callisto
Why
couldn't they just use a key?
Finally,
Callisto seems to have found the right page. She sets the book aside and with
the help of her healthy arm she stands up - slowly.
When she
finally has pulled herself straight she grabs her pack and puts it back on. Than
she bends down another time and picks up the book.
Now she
turns towards the gate and slowly walks away backwards, at the same time letting
her eyes wander over the wooden surface.
After a
few steps she stops, continuing searching for something at the gate. Suddenly,
her face lights up for a second.
Callisto
There
you are.
The
faint reminder of a carved symbol seems to have caught Callisto's attention. She
now lifts the open book up to her face and looks inside - the open pages consist
of symbols - very similar to the one on the gate - and written words next to
them.
Callisto
seems to find what she is looking for after a few moments and holds the book up
in front of her, so that she has the book and the symbol on the gate in her
vision.
Callisto
And
? there you are again. Now lets see if it works.
Callisto
drops her right arm to the side, still holding the open book.
Callisto
(shouting)
Open,
in the name of Themis!
Callisto
is waiting expectantly for a few moments, while nothing happens.
Suddenly,
the enormous wooden gate slowly moves upwards. Callisto watches as the opening
gate allows a look into the fortress ? but with the exception of the tower the
room inside of the walls seems to be empty.
Slowly,
Callisto walks towards the now gaping hole in the wall. When she reaches it, she
suddenly stops. The book, which she had kept in her right hand, drops to the
ground.
She
stares straight ahead, her face frozen. She seems to listen to something on the
inside, shocked.
CUT
TO:
EXT. Outside of Cirra - Day (VISION)
It is
Cirra, the village in which Callisto was born - and it's the day where Xena's
army burns it down. The village is already under attack and partly on fire.
Xena's army brings death and destruction upon the peasants.
On a
nearby hill there she is - sitting on her horse, wearing her full armor. But in
this vision it's CALLISTO.
Callisto,
dressed like Xena, has a dark, satisfied look on her face when she sees the
battle in front of her. She draws her sword and raises it high above her head,
letting out her war cry.
Xena
/ Callisto
Aijijijijijij!
Then she
gallops down the hill, towards Cirra, swinging her sword down at fleeing
villagers she passes. She rides right into the burning village, continuing to
deal out death.
Suddenly
she sees a girl in front of her, stumbling out of a burning house - it's young
Callisto.
But
there is no stopping now, Callisto urges her horse forward, again rising her
sword, riding straight towards the frightened girl.
Xena
/ Callisto
Aijijijijijij!
CUT
TO:
EXT. Fortress, The gate - Day
CALLISTO,
in her trance, is still standing inside the open gate. Her face shows fear and
terror and she is shacking.
Voice
(OFF)
Callisto!
It's the
booming voice again, sounding even angrier than the last time. Still, Callisto
doesn?t react immediately.
Voice
(OFF)
Callisto!
Finally
Callisto snaps out of her frozen state, whirling around to look back at the
plateau. She is breathing and sweating heavily and her look still shows panic
and confusion.
Voice
(OFF)
You
made me come here ? now the gods now my presence for sure.
Callisto
What?
Voice
(OFF)
Callisto
? focus! You still have a task to fulfill. If we hurry than the gods will be
to late. Now is the moment!
Callisto
looks around, still confused, but than she turns and slowly starts walking
towards the tower inside the fortress.
Voice
(OFF)
Good
girl.
CUT
TO:
INT. Elysian Fields, Hall of Heroes - Day
XENA is
still standing in front of the exit, with ARES a few steps away. They look at
each other - silently, for a moment. When Xena turns away to finally leave, Ares
once again starts to talk.
Ares
It
doesn't have to end like this, you know.
Xena
stops again, already standing in the doorway.
Xena
Leave
me alone ? I'm tired of this.
Ares
Xena,
I almost don't recognize you anymore. The Elysian Fields have made you soft ?
weak.
Xena
turns around, angry.
Xena
Don't
tell me about weakness ? I was a warrior ? and I am still. But I'm not your
warrior anymore.
Ares
Well,
if that spark is still inside of you ? what about taking it back into the
mortal realm?
Xena
seems confused, surprised even.
Xena
What?
Ares
You've
heard me ? I offer you back your life.
Xena
You
never offer anything ? except, of course, it serves your purpose.
Ares
Don't
be so negative, Xena. I haven't asked for anything, yet.
Xena now
leans against one side of the doorway and looks at Ares knowingly.
Xena
But
you will, right?
Ares
Only
a small favor, sometimes in the future. I promise you, it won't be anything that
you wouldn't do anyway.
Xena
And
why should I trust you.
Ares
Because
you have no choice ? I don't think you have a better offer.
Xena
You're
wrong, Ares. Before I would owe you a favor, I rather stay dead.
Ares
You
don't know what you are saying.
Xena
Oh
I do ? can you tell me more about the favor?
Ares
I
can't tell you yet ... but believe me, it's no longer about fighting the will of
the gods ... it's about survival. Yours ... and ours.
Xena
Wrong
answer, Ares.
Ares
Don't
deny me, Xena ? not this time. You would regret it.
Xena
Don't
threaten me, Ares. It didn't work when I was alive and it certainly will not
work now.
Ares
You're
wrong to see me as the enemy ? I'm not. Not this time.
Xena
Ares?
Ares
Yes?
Xena
I
left you a long time ago ? and there is nothing that will bring me back. No, I
will not accept your offer.
Xena
pushes herself off the doorway, turns and quickly moves outside.
Ares
watcher her walk away, then he disappears in a flash of light.
CUT
TO:
COMMERCIAL BREAK
CUT
TO:
EXT. Elysian Fields, In front of Hall of Heroes - Day
The
white and golden exterior of the hale of heroes glisters in the sun. XENA comes
out of the only door and stops for a moment. Before she can continue her hurried
retreat ARES appears right in front of her.
Xena
(angry)
Ares,
I told you ? leave me alone.
Ares
I
heard you ? but before I will follow your request I want you to look at this.
Ares
brings forward his right hand ? holding a - the - Chakram.
Xena
Is
this ? ?
Ares
Yes,
it's your weapon.
Xena
How
did you ? ?
Ares
Joxer
? I think you remember him ? was trusted with the two parts of your Chakram
? it wasn't too hard to get them. He ended with replica.
Xena
Why?
Ares
Too
many questions! Won't you take it?
Xena
carefully takes the weapon out of Ares hand and weights it in her own.
Ares
It
was as closely repaired to its former condition as possible.
Xena
lifts the weapon in front of her face and looks at Ares through the loop.
Xena
You
still haven't told me, why?
Ares
You
still haven't thanked me!
Xena
For
stealing it?
Ares
Oh,
Xena. Think about my offer ? think about all the memories this weapon
represents. Your life doesn't have to be over ? this Chakram represents what
you were, what you are ? and what you might become in the future.
Xena
How
desperate are you? How desperate do you think I am?
Ares
Xena,
I cannot believe that you would accept death so easily.
Xena
It
wasn't easy ? believe me, it wasn't easy at all.
ARES
Just
one task, Xena ? one silly service and you can live you life again.
Xena
No,
you can't buy my trust. You will have to use someone else.
Ares
Xena
? what is it that you are afraid of?
CUT
TO:
EXT. Tartarus, Forest - Night
GABRIELLE
has left Artemis behind and walks aimlessly through the dead forest. She looks
thoughtful and a little angry.
Suddenly
ARTEMIS appears in a flash of light right in front of her. Gabrielle stops and
moves back a little bit.
Artemis
We're
not finished yet!
Gabrielle
Yes,
we are. I will not be your toy ? you will have to find someone else.
Artemis
After
what has happened to you I can understand your mistrust against gods ? but you
have to find faith again.
Gabrielle
I
have faith ? enough to keep me going through this place.
Artemis
You
don't have to endure Tartarus ? let me help you. You can have a long,
fulfilling life.
Gabrielle
I
rather prefer being able to live with my early death than to regret a long life.
No ? I will not serve you.
Artemis
Gabrielle
? what is it that you are afraid of?
CUT
TO:
INT. Fortress, Inner chamber - Day
It's a
big, circular hall with simple stone walls, at least 60 feet wide and twice as
high. A single doorway - without door - provides entry into this room. And a
single object is all the furniture that is visible. The exact form of the object
cannot be seen as a big cloth is thrown over it, but it seems to be flat,
approximately 20 feet high and 5 feet wide.
Although
the room doesn't seem to have any openings - with the exception of the dark
doorway - there is a good level of light. But no sound can be heard.
Finally
someone is approaching the doorway with slow, heavy steps. CALLISTO enters the
room, dressed almost as before but now she wears the coat open and the backpack
only on the right shoulder.
She
stops, looks around for a moment and than walks towards the object. She drops
the pack next to it and than takes another look around.
Callisto
Are
you here?
Voice
(OFF)
Of
course I am. Hurry, the gods can try to stop us any moment.
Callisto
I
thought you don't fear them?
Voice
(OFF)
(angry)
You
should fear me, imbecile.
Callisto
just shrug's her shoulders and steps in front of the covered object. She grabs
one end of the cloth and pulls it away with one quick motion.
A big
mirror appears, once the cloth is removed. Strangely enough, although the walls
are reflecting in the mirror - Callisto is not. Not one part of her, including
clothing, results in an mirror image.
Callisto
That
? I call strange.
Voice
(OFF)
This
is the Mirror of Uranus, grandfather of Zeus himself. It only reflects gods and
godly artifacts.
Callisto
I
was a god, once!
Voice
(OFF)
You're
not right now.
Callisto
So
? what should I do?
Voice
(OFF)
Smash
it.
Callisto
Smash
it? I climbed all the way up here to ? just smash it?
Voice
(OFF)
This
is one of the mightiest and oldest artifacts in existence. Its power is drawn
from the first moment of creation itself. It holds the mirror image of every
Olympian god ? and we will release that.
Callisto
And
? what will happen when we do?
Voice
(OFF)
A
new pantheon is born ? and it will help us destroy the old one.
CUT
TO:
EXT. Tartarus, Forest - Night
GABRIELLE
and ARTEMIS still stand face to face.
Artemis
Gabrielle
? what is it that you are afraid of?
CUT
TO:
EXT. Prison compound, Mt. Amaro - Day (VISION)
It's the
inside of the prison complex where Xena and Gabrielle were captured and later
crucified. Right now Xena and Gabrielle are helping Eli and his followers to
escape, while Callisto is watching.
But it's
not Callisto - in this Vision it's GABRIELLE who holds the Chakram and watches
hatefully while Xena seems to succeed in freeing Gabrielle an the others.
Finally,
she cannot hold back anymore - she throws the Chakram.
Callisto
/ Gabrielle
No!
No-o-o-o-o-o!
Xena is
hit in the back - painfully slowly she falls forward, unable to move anymore
because of the broken spine.
CUT
TO:
EXT. Tartarus, Forest - Night
Back
here GABRIELLE snaps out of the terrible vision - sweating, with a horrified
look on her face.
Gabrielle
Because
of me she died.
Artemis
You
didn't throw the Chakram ? in reality.
Gabrielle
But
Xena came back because I was unable ? no, unwilling to fight. She allowed me
to become something better ? she allowed me to become me. I will always owe
her that.
Artemis
So
be it. Your life, Gabrielle ... and that of Xena. I offer you both a second
chance.
CUT
TO:
EXT. Elysian Fields, In front of Hall of Heroes - Day
XENA and
ARES still stand face to face.
Ares
Xena
? what is it that you are afraid of?
CUT
TO:
EXT. Prison compound, Mt. Amaro - Day (VISION)
It's the
inside of the prison complex where Xena and Gabrielle were captured and later
crucified. Xena was already hit by her Chakram and has dropped to the ground.
Gabrielle is right now storming forward to protect her friend.
But it's
not Gabrielle - in this Vision it's XENA who picks up a sword, a spear, a dagger
to throw herself between her friend and the advancing Romans.
Gabrielle
/ Xena
Go!
Let's go!
Xena
No!
Gabrielle
/ Xena
Get
up!
Xena
I
can't, Gabrielle. It's my spine. I can't move.
Callisto
Interesting.
Xena
Aah.
Aah! No, Gabrelle, no!
CUT
TO:
EXT. Elysian Fields, In front of Hall of Heroes - Day
Back
here XENA snaps out of the terrible vision - sweating, with a horrified look on
her face.
XENA
She
gave up her way for me ? she gave up everything.
Ares
Nobody
asked her to.
Xena
But
Gabrielle couldn't leave me ? she was always there for me ? no matter how
bad the times. I can never repay her for what she was ? that's a debt I will
have to carry.
Ares
Than
let me make another offer. One service, one debt ? and you and Gabrielle will
live again.
CUT
TO:
INT. Fortress, Inner chamber - Day
CALLISTO
is still standing in front of the oversized Mirror of Uranus.
Callisto
So
how do I smash it? I guess there is a little more to it than just hitting it
hard.
Voice
(OFF)
Only
a very powerful artifact itself is able to smash the mirror.
Callisto
So
that's why I carried the scepter all the time.
Voice
(OFF)
Exactly
? just shatter the glass with the scepter.
Callisto
That's
all?
Voice
(OFF)
That's
all!
Callisto
knees down next to the pack and pulls out the scepter with her right hand. It's
an overly decorated golden stick with lots of precious metals and gems attached
to it.
Callisto
weights the scepter in the hand, than she steps in front of the mirror again. In
contrast to Callisto the scepter has a mirror image.
Slowly
Callisto raises the scepter high above her head.
Callisto
Xena
might have been the destroyer of nations ... but I am the mother of gods!
With
that she strikes the blow, putting all her strength and weight behind it.
When the
scepter hits the mirror, it simply disappears. Callisto, surprised and confused
at the same time, stares at her hand and then at the mirror.
But the
reaction from the mirror doesn't wait long. Suddenly, the mirror explodes into
thousands of little peaces, from top to bottom.
Callisto
realizes horrified that all the mirror peaces will drop right unto her. She
stumbles back but can only stare at the massive wall of glass dropping towards
her.
CUT
TO:
COMMERCIAL BREAK
CUT
TO:
EXT. Green field - Day
In the
middle of a wide, green field - under a sunny, cloudless sky - CALLISTO appears
in a flash of light, still looking up, her right hand moving to protect her
face.
The arm
risen she realizes, that she is no longer in the fortress. She looks around, her
face showing suspicion.
Looking
down at herself reveals that her attire has changed as well as her location. She
wears a tight leather armor, including boots and sword, covering only her most
important parts. And the left arm is not in a cast anymore - Callisto seems to
be able to move him freely.
Voice
(OFF)
You
fulfilled you part ? I fulfilled mine.
Callisto
You
mean ? I'm mortal again?
Voice
(OFF)
Like
the day before you died ? first. You should be careful, though, your next
death might be your last.
Callisto
Don't
trouble yourself ? I have not forgotten that I still owe you one service.
Voice
(OFF)
I
will not allow you to forget. But until than you can do whatever you like.
Callisto
I
live ? and Xena is dead. That's how the world is meant to be. For a talented
girl like me it shouldn't be too hard to get a job ? build a career. I always
thought warlord would be a possibility ? when my revenge is done. Now it is.
And while Xena struggles through the underworld, I can stroll through Athens.
Now
Callisto stretches and extends herself, then she slowly, playfully starts
walking away.
CUT
TO:
EXT. Elysian Fields, In front of Hall of Heroes - Day
XENA and
ARES still stand face to face.
Xena
You
mean ? Gabrielle and myself ? send back?
Ares
Yes.
Xena
But
I would have to do whatever you ask me to?
Ares
Once
? yes. A small price, I might add.
Xena
turns away and stares thoughtfully towards the hall.
Xena
But
I would have to trust you.
Ares
You
can ? we had out misunderstandings, but this is much too important to rely on
deceit or treachery.
Xena
I
cannot trust you, Ares ... never again.
Ares
But
?
Xena
No
? I would give anything to get Gabrielle out of Tartarus ? but I know she
wouldn't approve a deal with you. There has to be another way.
Ares
stares at the back of Xena for a few silent moments, than he shrugs his
shoulders and disappears in a flash of light.
Xena,
showing deep sorrow and pain in her face, drops to her knees. She takes her face
into her hands and starts to cry.
Xena
Sorry,
Gabrielle. Sorry. I should have accepted your way ? but I can follow you now.
CUT
TO:
EXT. Tartarus, Forest - Night
GABRIELLE
and ARTEMIS still stand face to face.
Gabrielle
You
would give us both our lives back?
Artemis
If
that's what it takes to get you ? yes.
Gabrielle
And
I would have to reclaim the Amazon throne as well as waiting for you to call me
into service.
Artemis
Yes
? but the queen hood, that's more of a request than a demand. The important
part is the dept you accept.
Gabrielle
And
pull Xena away from the Elysian Fields ? away from everything I always wished
for her? How could I do that, how could I take such responsibility?
Artemis
It's
your decision.
Gabrielle
turns around and drops to her knees. She hides her face in her hands, crying.
Gabrielle
No
? I can't do it. I should accept our fate, be happy about Xena's place in the
underworld ? but I can't. If there is a chance to see her again, any chance
? I will take it.
Artemis
So?
Gabrielle
I
accept.
Artemis
So
be it ? you ? and Xena ? shall live again.