For Disclaimers and Author notes: See Part 1
Chapter V. Perfect Circles
The grass is whispering.
The wind arcs through its sandy reeds, pushing--matting it down like a scolding mother with her child's mess of hair.
The wind is in Her ears, groaning and blustering in lunatic whispers. She lets Her eyes follow the weft of the grass. It points away, off in the opposite direction, back the way She came.
Borne on swelling thermals of air, seabirds pass overhead, wings stretched wide. Waves taunt Her from over the hill, lapping and splashing playfully, hidden, out of view. She remains motionless, the crimson lash of Her cloak the only movement.
Around Her feet, the tall strands wave in the warm winds pouring over the rise. Beyond is the sand, the sea, She knows, yet She has halted here.
Salt is apparent on the air, it haunts Her palate, nostrils, but there is more--something else now. Stalking the winds is the menace of atmosphere, tense humidity, poised and trembling like tendons taxed beyond all reserve. It is pulling Her, it is pulling everything toward it.
She can fight it no longer and strides up the tressed dune, taking its crest. Here the wind fights Her, possessing the crimson of Her cloak, levitating Her hair in spools about Her face, folding Her in half for a moment. Straightening Herself, She is soon eye-to-eye with it.
Stretched out low, just above the roiling supplication of the Tyrrhenum, is the storm. Gaping black across the entire western horizon it throbs and tumbles and roars toward the mainland, falling over itself like a thing delirious. Her skin tingles at its far-reaching touch.
Lightning arcs through the rippling darkness, followed by the snarl of thunder, steady and deliberate on the winds. The storm will hit the coast within an hour, maybe two. By night, most of Latium will be trampled beneath its inky heel.
She removes Her helm, shaking out Her hair into the wild and uncertain air. The wind spins it back in ebon bolts scattered and flung over Her shoulders. Shutting Her eyes, She draws the essence of the sea's gusts, the musk of tempest into Her lungs in a slow, building breath. The peal of thunder stretches in sheets, coppery folds flung up and out, reverberating and collapsing finally in brassy tumbles far into the unseen edges of heaven.
Lost now are the slough of Her footsteps in Her ears, lost is the madness of the world around Her to the blue, blue eyes in Her skull. The sky could shatter and shiver into black shards as numerous as the stars and tumble splashing to the sea and still She would stand, staring back into one moment, one memory.
That face. Older, but still the face from Her dreams, from Her memories. And the weapon--the weapon that is rightfully Hers to bear--in the woman's possession. And all of it here, now. Not in dreams, or blurred visions that belong to someone else.
And what of the feelings? Her feelings?
She shuts Her eyes, teeth grinding, thrusting toward the jaw, the bones beneath the skin of gums.
The beach is dry, secluded, deserted save for the two of us. Our fire crackles, snapping lazily at fingers of driftwood. In the distance, pulled taut over the Aegean is the black sheet of the coming storm, still silent, toothless in the firmament.
But beneath my fingers, lips, I feel a softer pulse, there just below your skin, or gazing into your eyes. I recognize this hunger, this fever; it is mine as well. I am its servant as you push against me or beckon with mouth open. I am its slave, chained by every small word, or tiniest utterance threaded along your breath falling upon me. Where it goes I am dragged on my knees, bent in two.
I have not hands enough for what my mind, my soul wishes to visit upon your skin, your golden flesh, quaking, tracing mad designs in the sightless sands. Your fingers wrap in the strands of my hair, pulling gently, pulling me upon you, as you spill across my lips. And you are a flavor that I will always know as my home, the flavor of tears, of laughter, of carelessness embraced.
Then I am above you, black as the slate of storm clouds, held aloft with tension, with impatience, with mischief. There is sand in your hair, dusted and dried across the perfection of your neck. I kiss it free, grinding it in my teeth as I pull away and look to your eyes. From over the sea, high in the forgotten sky, there is thunder and you smile…
A word, a name trembles from Her lips like a sob, a choke. It is swallowed by the violence of the air around Her, as is the vision before Her eyes, across the surface of Her body.
Spray settles upon Her skin now and She flutters Her eyes open, watching the steel-hued fury of the waves, breaking in caps of white and green, incited to frothing rage by the onslaught of the storm. A call to arms, She returns Her helm to Her head and continues along the eroded borders of the coast. The grass whips her bare legs as Her feet sink into the soft, sandy earth.
The abandoned villa, the temples slouch out of the gray sand and peek over the blowing stubble. She wanders toward the low collection of buildings, through the winds and the weight of the storm to the west. Soon she is ascending the dune to the flat stretch before Her master's domicile.
Inside, the halls are without torchlight, shade clasping to stone, obscuring it in curtains of gray. She senses a presence, but is unsure of its identity. Moving silently she passes through the length of passage leading to the large chamber opening onto the cliffs over the sea. At the balcony is a coral clothed form She mistakes for another vision, until the woman turns to face Her. It is the Goddess of Love.
Against the apocalypse of sky above the sea, her form achieves a sad beauty or a soft bravery. She turns, a smile light across her lips. "You look like Tartarus," the Goddess says. "What happened?"
She turns away from the question. "I am here to speak with my Master."
"No time for girl talk, huh?" Laughing, the Goddess crosses her arms. "We should really have a chat…"
The assassin tilts Her head, blinking with confusion at the coral robed deity. "How can I be of service to you, Goddess?"
Aphrodite's face grows dark, shadowed with a jagged, multi-faceted sadness. "I think you've done enough already," she says, with a black chuckle. "You killed my family."
"I…" Her jaw drops. The accusation settles, finding no ground, no truth in Her memories. "That is impossible."
"That's what they thought," Aphrodite smiles sadly. "But, yeah, you pulled it off."
The assassin stands tall, now. "I can't believe this. I won't." It was preposterous-the fanciful inventions of a distracted, feeble-minded troublemaker. If this was to be believed, it would mean She had slain Her master's kin as well.
"Don't worry about it, hon." The goddess waves her hand in dismissal. "I forgive you. It's what I do-it's one of my greatest creations, y'know."
She shakes her head. Aphrodite laughs. "Aw c'mon, it's all water under the bridge. That's the beauty of forgiveness," she smiles, leaning back against the marble balcony. "It's the closest thing you mortals come to getting a brand new life."
Thunder spills across the heavens. Her hands tremble, collapsing upon themselves. She looks at them as though they are no longer Her own.
"But you were never big on forgiveness, were you?" The goddess crosses her arms. "At least when it came to yourself."
Her head bows, shakes. The goddess approaches, easily crossing the span of tile between them. She places her hands upon the assassin's naked biceps and leans in to whisper. It falls without breath upon Her ears.
Then the goddess is walking away, returning to her view of the storm. "My brother is coming," she says over her shoulder. "We'll talk, Sweetie! Ta-ta!" Aphrodite disappears in a shower of light.
She stares at Her hand hanging outstretched before Her, as though beckoning. The enigma of the gesture makes Her briefly nauseas. Then the savor of blood floods Her palate, and She turns to face Her master. Ares appears at the balcony, his back to Her, staring up into the yawning expanse of storm. He gestures.
"I think I've really outdone myself on this one." He turns, a cruel smile on his lips. "Wouldn't you say?"
Swallowing heavily, She bows. The God of War crosses his arms. "So, crazy lady, what can I do for you?"
She kneels. "I am here to offer my sword to you, Master."
"Oh yeah?" He appears amused by this. "And why should I accept it?"
She falters here, Her head raising in confusion. He nods. "Yeah. Why should I?" His footfalls echo flatly in the open space. "Why shouldn't I just blast you into dust, right now?"
She can only stare up at him, even though his reaction had been anticipated. "I accept my…failures…"
"Oh, you do, do you?" His laugh swells with incredulity. "And why should I accept them? Huh?" He begins to count off on his fingers. "I mean, you botched the whole mission with that glorified sidekick. Then--this was a good one--then you go and attack me, I mean, what were you thinking there? You were very, very lucky I spared your miserable little life, I gotta tell you. And then…let's see…then you kill all of the men that are actually doing something right for me and allow all of my prisoners to escape." He shook his head. "I gotta hand it to you, you are nothing if not thorough."
She bows Her head. Could She explain the turmoil? Her loss of control? The visions? The emotions? And how could She tell him of the warrior's face-the face from Her past?
The God of War glares at Her. "So…you go on and tell me why I shouldn't blast you and just dig up somebody else to take your place? I did it with you I can do it with anybody…" He nods with condescension at Her confused look. "That's right…you're recycled goods kid, get used to it." He leans back on the balcony. "I'm waiting…"
The quivering that begins in the joints of Her wrists, that pull long fingers together, collapsing them into fists, passes up Her arms, settling in hunched shoulders. With a deep breath, She masters it, sublimates it-wills it into something that can be used, fuel to be burned, devoured, redirected.
She raises Her head. "Because without me, you will fail," She says.
For a moment, it is as though he has not heard the words, that they are so far from what he expects they pass useless from Her lips, invisible on the air. Then rage, brief, fleeting, flickering, but enough that even diluted the God's anger would cause all but the most steadfast or wicked to tremble. Finally laughter erupts from him, slow at first but quick to build, rich, deep laughter. "You are awesome, you know that?" He keeps chuckling. "Hoo hoo…okay, okay…you've got your shot-but it's your last one."
"What is your bidding, my Master?" She asks, suppressing the pride that threatens to erupt from Her.
"Don't be so smug, 'cause it isn't going to be easy." His eyes smolder. "I want you to be ready to leave by mid-morning. You're going to take care of my biggest obstacle."
She bows, honored by the charge. "Who is my prey, Master?"
He smirks. "Only the most difficult target in all of Rome…" Crossing his arms, Ares prepares to leave. "Be ready," he says as he disappears.
Slowly rising, She stands, Her cape catching gusts of wind that pour over the balcony from the sea. A laugh swells in the cage of Her chest, breaking free into the air. Her redemption is well at hand, and soon Her master would reinstate his full trust in Her dark abilities.
Thunder-distant, foreboding peels of thunder break off and fall through the cavernous sky above the Tyrrhenum.
Her laughter is quickly swallowed by the groaning storm. Tears fill Her eyes and She coughs at them, hoping it might ebb their flow, that it might choke down the memories that are upon Her now. Her head throbs with them and She throws Her helmet from Her head so it crashes against a wall.
There is no escape.
Her fingers clutch for the balcony's rail to remain upright. Her teeth are barred, as She pants rabidly.
And through it all-the conflation of senses both past and present, the pain of emotions spanning separate lifetimes, through the mystery of her beautiful and painful face-the words of the Goddess of Love, Aphrodite's whispered question rings in Her ears.
Who are you?
**********
The morning allows breezes--cool breezes--to slip through its tightening fist. From the west, this wind rustles the palms surrounding the balcony, making them bow and titter and gossip--as though they feel unease about this stranger traipsing through the city streets.
I watch the birds slip into the rhythm of the rocking branches, eyes lulled closed as their feathers plump with the null of a nap. Here, on the balcony at the mansion, all is quiet. The girl sleeps beside me, wrapped in a blanket, curled on a couch. A deep dreamless sleep, if she is lucky. Her face is smooth, motionless--it betrays nothing save for the furrowed folding between the brows.
We returned to the mansion in the middle of the night. Navigating the streets, the checkpoints and patrols, had been an arduous ordeal that we managed in total silence and undead movement. The girl had been docile and almost unconscious of our task, easily led. After hours of careful stealth, tense hiding and fevered chases, we lighted upon the Quirinal and soon the cool marble shelter of Gallus' mansion.
Eve had helped keep the questions and prying eyes of everyone at bay. Mira was almost feverish with shock and exhaustion and I craved space, isolation, silence. The girl had moved to the balcony and was soon asleep.
Another sunrise-shavings of gold blown from the lips of horizon, spiraling, falling like birds through the encrimsoned ether, swollen now with light, milk white and heavy that drops upon the rising fog of the city. When was it that I began to wake before the sun? And how many sunrises has it been?
I remember the morning I realized I had now watched the sun take the sky more times than you ever would. I remember the sunrise--flat, the color of tarnished brass, like a coin pressed into the gray sheet of cloud. Thin, frail bands of white stretched without ceremony across the flat and wide horizon. It was a cold, Britannia sunrise, damp fire popping on a bed of pine needles, and the girl asleep, with many hours before she would wake. I remember the chill, sunk to the marrow and deeper, the pain in my limbs.
How old I felt then. Older than you, watching the sun climb into the heavens above the last place on Earth I ever wanted to be. I remember trying to think of home and not knowing where that was really.
Nothing fit. Nothing that existed anymore, anyway. Can you imagine feeling like you've outlived history?
What was left?
Greece had fallen into disarray, much of it annexed by Rome. Lila, Sarah and her family moved to Phoenicia, out of reach. The family farm was now kindling, the land given to Perdicus' brother, Ghreus.
The flame of the Amazons, dwindling for years, sputtered out--prey to bounty hunters and warlords and slave traders. I watched a Roman governor drag Varia's body through the streets of Thebes. He shouted in drunken barks about his 'victory' over the 'last Amazon.' Perhaps he was right--I never sought revenge, the prudent Queen to the last.
Eve and Virgil didn't need me. I had made myself unavailable for many years. When I returned to their lives I found that I was welcomed but unnecessary, like a freed slave returned from travels.
Virgil's face when I approached him after a reading of his work in Athens was an odd mix of surprise, concern and relief. Though beneath it all was the feeling that my return was a disturbance of some kind, an unwelcome upset to a life he had grown happily accustomed to.
Still, he spirited me away to the corner of the room and over bowls of wine we talked. And through it all, that same look of upset, of unease that I imagine all walking relics illicit in those who have moved on.
--Where have you been?
--Egypt, mainly.
--Eve looked for you in Egypt…
--It's a big place.
--Gabrielle…It's been four years…we thought you were…
I suppose the smile I peeled mirthlessly from my teeth was unconvincing. He blinked with concern, his hand grabbing mine.
What to say, really? How could I put into words all that which I deigned to speak? That Virgil wished not to hear? That the sands of the desert, the winds named like favored children, could not scrape all the layers upon me clean. That becoming everything I despised and loathed about the world, that letting it pick me up and carry me along as a baby could not dull or reduce me. That I could not break or bend or mortally wound or heap scar upon scar over my useless soul and so never lose that part of it of which you are everything.
How could I tell him that I failed you, once again? That I could not let myself die? Not even for you.
What to say? Years passed as though outside the body--as though floating uselessly above. Years passed as though reading a scroll. As a spy, a separate entity--those years in the sand, in a haze, the roar of the arena, the sour nausea of wine-drenched mornings and the cold mechanics of my body and the kill and no way out. And then…
And then…
Sand and sky, two meditations on emptiness, face-to-face--and I passing between, gliding upon the sliver of dust that fades into horizon and daylight, in soughing steps to the southwest.
The caravan had given me enough water for the final leg of the journey, no more. From the Dakhia oasis it was four skins to the center of the wastes, following in the fading tracks of the sun. These were the terms in which Nomads understood travel, distance measured in necessity. I held my own methods for equating such things.
I travel slow and steadily, only at night. In the flame of day, sleep is fitful under a silk and linen blind, sharing shade with scorpions and beetles against the shrugging shoulder of dunes. Dreams fall upon me, tattered and dissolving like autumn leaves, only pieces remembered. I wake with sand grinding against my teeth.
The walking is done at night, in absolute darkness. My footsteps sink into sand with a whisper, one after another, again, again--the Secret the desert tells. Perhaps I sleep while walking, breaths ebbing and flowing in time with my movement, one after another, again, again. Just as slumber settles, I feel it and start awake and there is again, only the sound of my feet sinking into sand.
How fitting it is, the reversal of the body's rhythms, night for day, dusk for dawn. There is a gradual acceptance of this dark synchronization. It is rehearsal, tuition for what is to come.
Men came out of the dust changed, even when falling short of paradise, if they returned at all. It was a Nomad belief that one could stray upon heaven if one had water enough, continuing upon this course into the whitest of sands, the deepest desert, into memory. To me, it is as though the way is lined with ghosts, sighs churning on the wind, faces like drops of ink evaporating from the sides of my vision. Perhaps this is a path into the land of the dead, a gradual descent, a slow fade. Hope is a tiny thing, lost in the hollows of me, like a pebble rattling in the gut of a copper pot.
I sleep naked, waking from the quagmire of dreams, with nothing save my own flesh, rust-hued in the shade of the tent, as an anchor to the waking world. My eyes open, appear lost as they track along the sway and slouch of an abdomen that could be my own, the pale legs, feet, and onto the sandy floor where it meets the silk flap, hiding the world beyond. I can feel the pull of the journey, the inescapable pulse of it sink into me once more.
The sand is white here. It grows fairer beneath every footstep, as though being cleansed, spurning impurity. If there were moonlight, I would see as if by day. There is no moonlight.
Eventually, my eyes have swallowed enough starlight to see with some clarity. Tracks of spiders that slide like spinning wheels down the nape of dunes lay scrawled to my side like script, black gouges gulping light. What would be the poetry here? Psalms to the winds, named like sons and daughters? Odes to rolling emptiness and grit, the lament of the sand for the heat that slips through its shifting grasp at the passing of darkness?
I eat less and less. There is no reason to even stop walking. Here a slice of dried meat, there a date or two, the seeds spat uselessly onto the barren dust.
My mouth presses to the skin, and I remember how it is to kiss, innocently, or hungrily, greedily, or shamefully, upon lips and lips and tongues. The water sloshes into the groaning cistern in my abdomen, swelling there and I remember.
Occasionally, I feel an odd compulsion to pour out the water, to watch it clot and fade into the thirsty, greedy sands.
Waiting for sleep in the tinted shade of the blind, through the flaps of linen, I can see three birds soaring silently, in slow circles. The simplicity of this brings tears to my eyes.
Still the dreams--the arena, its walls, the stands stretching ever upward, a cylinder that towers into the hollows of the heavens, blocking out everything else. The seats filled with people, yelling, screaming, crying. If I stop killing, the arena will collapse, falling into dust around me. Why don't I stop?
Water is running low. There is a nagging welt where the leather straps have chaffed me; it is red upon the freckled knife of shoulder, swollen and round like the setting sun. The pain is a whisper in the night. So alive it even throbs with the quiver of my forgotten pulse. I rub at my eyes not caring about the smudge of kohl.
One night, I reach for a drink and find that the skins are gone. There is a liberty to the lack of occasion, a welcome anti-climax that is fitting given the circumstances. I crest a wide dune, pale and barren as bone, and stop.
I can feel the entire weight of the desert, stretched wide around me. Its vast emptiness shifts with discomfort, groans in the night. Maybe I am afraid. I laugh, because it is a flavor of fear I have not savored in many years. Not since sleeping next to Lila deep in the uncertainty of night, the haunted wind creaking through that tiny sleeping village. Eventually it leaves.
Dawn begins here unlike anywhere I have ever been. I lean back on the great dune to watch, to wait, finally. A thin ribbon of pink trembles into view at the horizon, throbbing into violet, and scarlet, and incarnadine, raising the brightening sky over the stars who are now lost in the shifting wash of dawn like tadpoles in a river. I lay back against the soft dune and feel the air bubble with heat over me, watching the three birds circle against the spinning ripples of morning…
And then…
What?
What would I tell him? Poor, Virgil. Poor, poor, Virgil: the idealist, the poet-always grasping for the sense, for the understanding, for the endings of everything.
We sat and spoke of the past. And of the future. It was something he still believed in.
Then, from across the table, he looked concerned through a gossamer of curiosity.
--And what did you find in the desert?
What could I tell him?
That I lay there waiting for yet another death, singing a hymn mother had taught Lila and me?
That then impossibly, from out of the sands, through thirst, through delirium, you came to me? That, lying on my dune waiting for death, for miles I watched you approach. That I let tears spill knowing you had come to finally take me with you?
And then…
That you asked me to stay…to carry on…to return…
It wasn't you, was it? How could it have been? I had watched you fade into the humming dark of the grave, my back tired, sore against your brother's old sarcophagus.
Somehow I knew it wasn't you but cared little, if at all. It looked so much like you, felt like you. For so long, I had been afraid that I had lost even the smallest remembrance of you, that the you who met me in my dreams was something I had created, and as such, had rendered flawed.
Do you remember my visions? The voices I sometimes heard?
You never believed in them, did you? Or at least, not the way I did.
Was it because you secretly blamed yourself for their cause? Thessaly--you said I was without air for too long, that it hurt me in some invisible sort of way, caused me to see things that weren't there--like spots before the eyes after squinting into the sun for too long.
But you forget: I stood in Elysium, strolled in its grasses, tasted its air, touched it. Is it not possible that some of it touched me as well? That it left its mark? That I could in some way see the dead? How many tales speak of those who journey to the realms of the dead and return with special gifts?
Did you ever think that it may have been more than our bond that allowed you to appear to me for those years after Jappa?
Until…
And then, there in the desert, on my deathbed of dust you appeared again--whether or not you were real or conjured by my fevered mind you told me to return, to carry on. What part of me wanted to survive? Where had she been hiding? Why had she surfaced now? What did it matter?
I staggered back, northwest through the sand. No water, no food. Soon I was delirious. I don't remember falling into the dust, but I remember the dream…
The grove, when you moved above me like a night soft with dreams, whispering, your voice in my ears, the wind, or gentle rain through a window settling like soft mist over my skin…
I awoke in a covered cart, creaking over the sand, beside slabs of dehydrated meat. My laughter broke from me in shreds of coughs, my tears as dry as the cargo I lay upon. Then it was the simple transit of day poured into day, the cities, the sea, set heavy upon my eyes like a veil--Kharga, Alexandria, Knossos, the Peloponnese.
And through it all, I knew it hadn't been you. And through it all, I knew the depth of my failure…
I smell rain on the wind. It will arrive by nightfall--a storm--and the Romans will have relief. Cries rise from the Forum, the markets opening one by one, the customers arriving through the dust for their goods after a quick breakfast.
Another morning in this place--I should be sick but I feel light. My heart flutters in my chest and I feel color in my cheeks. I peer out across the Roman morning, toward the thrust of the Capitoline. The memory, hours old, swells my breast, scalds my eyes.
It was you, oh, it was you--the crimson of your cloak disappearing through the hole into dusk, like a wound flowing backward, resealing…
On the couch, Mira stirs but stays asleep. She has called out a few times, but never breaks the surface into consciousness. I push a strand of hair from her face.
Beyond the balcony the city could be empty, mine alone, my dominion, once again a Queen. I stretch, it relieves exhaustion but the weight of the next hours, my responsibilities, still bends me. I should be sick but I feel light.
Another morning, another sunrise--I walk back toward the door. The servants are stirring, the house is waking. Preparations must be made. I let the girl sleep through the dawn.
**********
Contained in all things are their origins and their terminus--their beginning and their ending.
Whether we experience it or not, all things are born and end within us as well. Plants, birds, our families and friends, millions of others we will never meet or know, every death or birth exists as part of us, as ours exists within them. It is arrogant to assume that they do not have their own affect upon us, every one. It is dangerous too. The Universe, Nature, life and, as a consequence, society and civilization are about interconnection. Existence is intimate. Misunderstanding and war should be impossible. What is it that keeps us apart? We all share that common bond, hidden in each fiber of our souls.
In each of us is the beginning and the ending.
Alpha and Omega…
…beginnings and endings and beginnings and endings and…
Beginnings…
Beginnings are always frayed, fuzzy in the memory, undefined.
At what point does one begin to love another, for example--or to hate?
At what point do we pass from waking into dream?
Into dreams--do we actually pass 'into' dreams, like into some shadowy land? Or do dreams pass through us? Do they fall like ghosts upon us, smothering the mind in smoky gauze until morning peels them free? Passing like strangers through our lives, some changing us forever, some immediately forgotten.
Eve cannot remember the slide into sleep--that sweet loss of self, as momentary as it is; that blissful eradication of the 'I,' that internal muting that is but a brief overture to dream. It can only be savored as an afterthought, a blank recollection, but it impacts upon her, and she is buoyed on by its influence.
With ease, Eve dreams…
…The hill is a soft rolling one, gently curved and lush. As she ascends it, Eve can see only green grass and then sky, nothing of what lies beyond. There is a comfort in it. Looking back she sees the sheep in the valley, pebble white and tiny among the jade--their bleating warbles in her ears like the voices of gnats. She smiles, letting the soft shiver of happiness sink through her and ease her steps.
There is a large, white blanket set out against the hill. Two figures sit upon it. They occasionally rise and shift positions then sit once again. Eve approaches slowly, an easy warmth still swelling in her bones.
One of the women on the blanket is her mother. She sits looking as strong and as beautiful as she always was and always is in Eve's dreams. In her hands she holds a strange puzzle that she has been intently assembling from pieces scattered about the blanket in front of her. Her mother wears a face that is focused and intense in its task--one that Eve remembers fondly and well.
The other woman is of interest. She is blonde, but not Gabrielle. She watches Eve's mother with a vague curiosity, biting her lip when the puzzle poses a challenge and smiling when the challenge is overcome. Her eyes are dark and smolder with a troubled intensity that isn't frightening so much as it is sad. There is a sense that this woman has been learning to be happy, but hasn't gotten it right just yet.
Her mother has only one piece of the puzzle to go, but it lies at the far edge of the blanket, out of her reach. She looks at the blonde woman.
--I don't suppose you'll help this time?
The woman shakes her head, grinning with the mischief of a little girl.
--Uh-uh.
Her mother smiles in resignation.
--Didn't think so…
She places the almost-complete puzzle down and stands, moving toward the final piece. Grabbing the puzzle, the other woman begins to disassemble it, scattering the pieces upon the blanket, a passive look on her face. Her mother turns just in time to see the woman scatter the pieces of the puzzle. Her shoulders slump and she leaves the final segment where it lays. She crosses her arms.
--Why'd you go and do that again?
The blonde woman raises her nose haughtily.
--I have my reasons.
--That's not an answer.
--It isn't, is it?
They smile at each other, and Eve's mother returns to her former place, her former task, assembling the puzzle one piece at a time while the other woman sits entranced by the task.
Eve watches as the two women repeat the same sequence of events again and again-only their banter changes. It is somewhat frustrating for Eve to watch, as she is saddened that her mother must continually restart her task, only to have it ruined before its completion. However, the acolyte feels that she should not act, and the two women's easiness with each other seems to enforce this course of inaction.
Suddenly, Eve realizes who the blonde woman is. From her readings of Gabrielle's scrolls she recognizes the woman as Callisto, her mother's old nemesis. She does not know why but she begins to move to help her mother. Surely Callisto has some sort of foul intention in all of this.
Someone grabs Eve's arm, stops her. It is Eli. She never met him, but she knows it is. He smiles.
--Can you be sure?
She is not…
…Eve lies in bed. The sheets are brought up to her chin. It is cold outside, the wind howls beyond the windows, but she is warm. There is a fire painting the room in soft orange light and slow heat. She smiles. Gabrielle--a younger Gabrielle-sits at the bedside, smiling down at her. Eve stretches her toes hoping they won't pop out from beneath the covers. The bard pushes a strand of hair behind Eve's ear. Eve smirks.
--Tell me a story…
Gabrielle laughs in that way she used to. Shrugging, she begins.
--The land of India is a strange and wondrous place…
Eve knows this, she has been there, but hearing Gabrielle tell the story is important to her, and so she listens…
--Perhaps the strangest I have ever traveled to…well…on this world, anyway…
The bard smiles and Eve returns the grin. She snuggles further into her pillow as Gabrielle continues.
--All manner of performers and performances can be found there. The streets, the countryside is alive with jugglers, acrobats, storytellers, musicians, clowns...you practically trip over them or get swept up into their performances--which can make for a lot of trouble when you're traveling with a crabby ole warrior princess…
She winks. Eve giggles then yawns. She has to stay awake. Gabrielle's voice bends and waves like smoke on the air.
--Of all the legions of performers throughout all the kingdoms of India, none are more revered than the puppet masters known simply as Dalang. The Dalang are lonely performers who travel from village to village, carrying their entire life on their back. They make their puppets, the stage; write the music, fashion and play the instruments and perform the great fables that have been passed down from Dalang to Dalang throughout the ages.
Gabrielle pauses, becomes stern, a great storyteller herself.
--Their performances span hours, effortlessly weaving several small stories into the fabric of a sweeping, grand tapestry. The puppets are simple but, within the grasp of a master, are able to convey all manner of emotion and action and soon you find yourself lost within their tale. While the characters and small stories are never the same, the main story is.
Firelight plays gently, hypnotically upon the ceiling, holding Eve in its drowsy spell--does she see the shadows of puppets there? The bard throws another log on the fire before she continues.
--A great war rages, and has been raging since the beginning of the world--a war between Light and Darkness. Every being has their part to play; everyone is a soldier, a warrior. While there are those who play grander roles, those who are unaware of the struggle, in their ignorance, influence its outcome as well. From the most powerful gods and kings to the lowliest beggar, every being plays a part.
Often the battles are catastrophic where thousands suffer and die, in the heavens and on the earth. Other times conflict is lost or won without the slightest hint of carnage or sorrow.
And still the war continues, each side keeping the other in check, year after year, throughout millennia. What is its purpose? Why is it fought? What are its spoils?
The audience is soon lost in the tale, pulled along, hanging on every nuance. And the puppets, they become more and more lifelike captivating the audience deeper in their spell. Soon, there is no longer a crudely fashioned stage, props, music there is only the struggle for mankind, the universe. There are no longer puppets there is only the battles, the characters, Light and Darkness. There is Good and there is Evil and the Great War between them that holds the universe hanging in the balance.
Eve is falling asleep…she cannot force her eyes open…she struggles to clutch on to Gabrielle's voice in the wavering throes of consciousness…she has to…
--But in the end, there is no war, no struggle, there are no sides--there is only the Dalang…
…Eve walks along the Via Appia toward Rome. It is early summer and the countryside is still verdant and untouched by the sun's full wrath. Despite the relative ease of the day, Eve cannot free herself from the tension in her belly. Birds chatter loudly in dissonant tongues, lost in the slivers of Cypress trees scattered over the hills.
Soon the road leads up a large hill. The loose pebbles nag at the soles of her sandaled feet. Her legs tire against the steady incline and sweat begins to slide in droplets along her skin. Sometimes she wants to stop and rest, but she presses on, feeling the summit just ahead.
Then she has crested the rise, the road pouring over it like a rushing river. Her eyes follow its course toward the city, visible now, nestled in the bosom of its seven hills.
She stops cold.
Lining both sides of the road, beginning at the bottom of the descent, are hundreds of crucifixions. The tall crosses stretch out across the miles toward the distant city. Eve begins to move down toward them. She can hear the weak cries of the dying. Crows and other scavengers fight at the crosspieces for bits of carrion. And there is the smell, hanging like soot in the air.
The faces, she recognizes them all--the followers, the faithful of Eli. Faces of her friends, family, her wards--her failure. She passes sadly, each step erasing some of her, until she feels as ragged and useless as a phantom.
More faces: Mira--frightened and lifeless eyes, dry, unmoving, her young body slumped sickeningly against the nails through her wrists; Virgil--bloody mouthed, his tongue cut out, his body picked at by birds. Joshua--his face, eyes shaded, sad, noble in the dying light. Tears well up in Eve's eyes, sadness closes her throat.
She stops.
Gabrielle--poor Gabrielle--looking strangely at peace now, though pain has contorted her face, her body. A scream escapes the acolyte's throat and she turns, her vision tracing along the road, passing the lines of crosses, toward Rome.
On the road, heading toward her is a figure, obscured by distance. Eve begins to run toward her. Surely she must be the one responsible. The figure breaks into a run as well, heading directly for Eve.
As they near each other, Eve recognizes the woman who chased her through the markets of Rome, her face hidden again behind the blue cowl. She knows that this is the one responsible for the death of her friends, family. The familiar taste of wrath, though long absent from her, swells within Eve.
Finally they are within striking distance of one another, but both come to a halt. Even crows mute their cackles as the two women lock eyes between the groaning crosses.
The woman begins to remove the cowl from her head. Eve hopes that she won't, but her own curiosity prevents her from stopping the action. The blue fabric falls from the woman's opened fingers and blows off toward the city.
Eve's mouth hangs open. It is her own face she is staring into--but it is the eyes of Livia that stare back, her mouth twisted into a black smirk.
"Surprise," she says…
...The passage leads down into the earth and darkness. When Eve turns to see where it is she has come from, she can only make out a shaded street, buildings close, suffocating--she could be anywhere. Eli grabs her wrist, makes her continue along the descending tunnel carved into the ground.
Crude torches, forced into imperfections in the wall, light their way. She follows. They walk along, passing chambers in the rock, doorways half covered with silk. A small, simple engraving of a fish carved into a support beam catches the torchlight. Shadows, silhouettes seen through cloth, voices of men, of women, of children. Some watch from their doorways--a young man, a young woman, an odd necklace around her neck, vaguely familiar--looking to Eli, to Eve, their eyes wide. The smell of cooking food, of mold, of sewage, of battered hope is incense on the air around them, and still they walk.
Soon they arrive at a chamber, plain, sparsely furnished. Eli sits, flopping wearily to the ground. He motions for her to join him. Crossing her legs, Eve sits across from the prophet.
Eli smiles at her, "Now, it is I who walks in your dreams."
She blinks. "I don't understand," she says.
"You will," he says. With a wink, he pats the floor between them. "This is where I buried my dreams..."
…It is twilight in the woods near Comum, the woods surrounding the summer home of Augustus, the woods of her childhood--her woods. Eve skips between the lanky watch of trees, half-rendered in the blue of dusk. She can hear the lake lapping at the shoreline. Fireflies pulse distractedly above her, their light painting the leaves in a honey-hued glow.
Leaves crackle under her feet and sometimes maybe she understands their soft little language and it makes her laugh. She darts off toward her secret flower patch, giggling away.
She stops. There are voices. She steps carefully toward them, hiding behind a tree.
Xena and Gabrielle sit at a robust campfire. They are younger than Eve ever remembers seeing them. The warrior sharpens her blade. The bard concentrates intensely on a piece of parchment. She looks up at the quiet warrior, her long hair bobbing and catching the firelight.
--Would you say that a Griffon roars or shrieks?
Xena looks up, distracted.
--Huh?
The bard is not fazed.
--I'm writing about that Griffon we chased off the other day. Would you say that the noise it made when it ambushed us was a roar or a shriek?
With a shrug, Xena goes back to sharpening as she answers.
--Roar, I guess.
She smirks.
--I think you were the one doing all the shrieking.
The bard giggles with a blush, throwing her scroll case at the warrior who bats it away with her forearm. They smile warmly at each other…
Eve skips off again, ducking below the slouching branches. For a moment, the dusk darkens around her as she passes beneath the thick lace of canopy. Soon, there are more voices, more campfires. She hides…
Xena sits at a campfire, sharpening her sword. Occasionally, she turns slightly and sighs in frustration. A twig snaps in the woods behind her. The warrior stands, sheathing her sword.
--Come out.
There is no movement. The warrior crosses her arms.
--I said: come out. I'm looking right at you, for Hera's sake.
Gabrielle, just a girl, steps sheepishly from the woods. She recovers her composure and stands tall.
--I've been following you for days, sleeping on the ground and…uh…other places…and I won't stop, so you might as well get used to it.
Xena swallows hard.
--Look, Gabrielle, there is no way in Tartarus that I can be responsible for myself and some little farm girl. I don't have the time. I don't have the patience and most of all, I don't…I don't want you around. So…so just go home.
The two of them slump their shoulders. The warrior softens somewhat.
--Go home, Gabrielle…
Heartbroken, Gabrielle turns to leave…
Eve crawls upon the forest floor. There are bugs, beetles, slithering things under the blanket of fallen leaves and mud, beneath her fingers. She pretends she is one of them. Light flickers ahead, she moves toward it…
Xena and Lila sit at a robust campfire. They are younger than Eve ever remembers seeing them. The warrior sharpens her blade. Lila concentrates intensely on a sketch. She looks up at the quiet warrior.
--Would you say that a Griffon's beak is pointed or serrated?
Xena looks up, distracted.
--Huh?
Lila droops her head, sadly.
--Never mind…
Xena resumes sharpening her blade…
A wind blows through the disappearing trees, rattling branches. Eve drags her feet, pouting as she wanders into the growing dark. Flames paint shadows against rustling leaves...
In the firelight, Gabrielle kneels beside the body of a dead child. She is sobbing as she looks at the mass of red-gold hair--so very like her own--with regret and revulsion.
A wolf howls in the night, another answers mournfully.
She looks across the small clearing to the second body, scorched and broken, the whorls of the armor crusted and black even in the firelight, the familiar face all but unrecognizable.
--I'm sorry...I'm so sorry I didn't listen...
She sadly caresses the unmoving girl's cheek. She opens her hand and gazes at the black phial resting in her palm.
--Solan. You. Hope...
She uncorks it and brings it quickly to her lips...
--A perfect circle...
Thunder breaks above the forest, shaking it gently beneath Eve's feet. She jogs through the trees, branches whipping against her legs and arms. Her breathing is loud in her ears. She runs for a clearing, toward the light…
Eve is five years old. She sits with her mother by the fire. Her mother looks sad and very tired--older than her years. She is constantly checking over her shoulder and starts at even the slightest sound in the darkness.
Eve places her head upon her mother's shoulder.
--Tell me a story…
Her mother sighs, wiping at her eyes, whose blue appears washed out, pallid in the glow of the meager fire.
--Okay, sweetie, just close…close your eyes…
Eve listens to her mother, finding a comfortable spot against the armor. Xena's voice is sad, but not entirely without hope.
--The land of India is a strange and wondrous place. Perhaps the strangest I have ever traveled to…
…Eve walks along a road. It is a Roman road somewhere--where?--Gaul, Germania, Britannia? It doesn't matter. It is late fall and the trees stretch naked off to the sides. The air is crisp but free of the whispers of winter's approach. Occasionally leaves blow across her feet, thrown about in the angry wind of dusk.
Following the road, slouched against its side, is a long ditch. Its crease is filled with dry and damp leaves and twigs. Occasionally a mouse or larger animal will dart from beneath and into the shelter of the bare woods. Eve continues, her sandals scraping the loose earth of the road. She smells rain, feels a storm press against the land. The wind is heavier now.
Ahead, in the ditch, there is someone lying down. Are they dead? She jogs over and halts at the crest of the trench, looking down into it. Joshua sleeps his hand on his stomach, his breathing slow and deep. There is a smudge of dirt on his cheek, flakes of twigs on his forehead, leaves on his clothes and Eve must resist an urge to descend into the channel and brush them aside. She smiles.
Thunder claps across the steel of heaven and the wind bends Eve in two. Grit hurts her eyes and leaves assault from all sides. She needs to get Joshua up, they need to go now.
In the ditch, standing over the boy, is Eli. He watches him sleep, an odd look upon his face-close to pity, fraternity, love…
Eve takes a step forward.
--Wake him up.
Eli looks up and smiles.
--It's your job.
Eve looks to the boy.
--Joshua, wake up. Wake up.
The boy remains happily asleep. The wind howls, hurling leaves and twigs at them. Lightning forks above their heads. Eve starts to cry.
--I can't…
Eli smiles.
--Try harder…
…endings and beginnings and endings and beginnings and…
Endings…
An ending is more defined than an origin, although it too fades, becoming a new beginning, vague and lost in the ponderous caverns of memory. Night is the Day's death as Day is the Night's as waking is dream's and as dream is the death of waking life. These dualities, all dualities, flow in this way, fusing as river into sea and back--a perfect circle.
In the end (or the beginning) we have love or hate, good or evil, peace or war, Light or Darkness, Alpha, Omega. We have the lines we draw in the sand and the sides we stand on. We have the rivers, we have the seas. And we have this endless stream of choices.
Yet who among us chooses the circle?
Eve opens her eyes, the light of the Roman day filtering through the shutters. She rises; the air, helped by the marble of the room, cools her naked body. Stepping slowly, softly she makes her way to the window, opening the doors.
With a sleepy grin, she greets the birth of the day, the end of the night.
**********
"Well, for once in my life I'm going to advocate patience as a course of action," Nero said with a smirk.
He turned to watch his decision settle upon the faces of Terrence and Octavia. Their strategic meeting, held in the bizarre splendor of the Hall of Mirrors, had been lacking focus and the Emperor felt that he had to inject some form of leadership and direction into the proceedings.
Octavia crossed her arms. "Caesar, we have most of your enemies within our grasp, why shouldn't we crush them while we still can?"
"Indeed, Caesar, considering their tendency to scatter," Terrence concurred. "It would make sense to hit the Senator's compound now, rather than to wait."
Nero smiled, stretching languidly, his pale form multiplied a hundredfold along the odd reflections of the hall. "Now, I understand your impatience, and I completely sympathize. But let me ask you this: would you rather eat a meal of many sparrows, or one of a healthy boar?"
The general and the bodyguard both stared guardedly at the emperor. He adjusted his laurel, using a far off mirror as a guide. "True, we have most of my enemies within our grasp, but not all of them." Terrence was about to speak, but Nero silenced him with a wave of his hand. "As they gather, they grow bold, they draw alliances and they become one target." His eyes clouded over. "The little party at the Senator's manse, Seneca's homecoming, that is but the beginning. Soon, all the little birds in the Senate will come gathering and grow bold. And then…" The Emperor left the thought for the others to finish.
The two advisors nodded. Smiling, the emperor walked along the mirrored hall toward a tall doorway that opened up onto a sprawling balcony. Two braziers blazed, heat hazily rising into the morning air. "Now," he said. "What of the excavations into the mountain?"
"I've a report out of Alba Fucens from yesterday, Caesar. Janus Maximus has been unable to make progress on the entrance chamber."
"And the day had seemed so promising." Nero pouted. "What's Janus' problem, hmm?"
The general gave a quick glance to Octavia then returned to the Emperor. "His men lack focus, Caesar. While the discovery of the entrance was indeed propitious, there has been a definite lack of results," Terrence said, with diplomatic aplomb. "And we all know how working men thrive on results."
Octavia clenched her jaw. "What are you holding back? What are the men saying?"
The General sighed. "In their parlance: they feel they are on a fool's errand--not unlike any of Caligula's grand fancies."
"Treason," Octavia said. "Janus should have them hanging from crosses in the middle of the work camps." The bodyguard was livid, the muscles in her neck and arms corded and taut.
"Then who, my dear, will be left to do all the heavy lifting, hmm?" Nero shook his head. "Still, this won't do," he said.
"Send me, Caesar," Octavia stood proudly. "I'm sure I could find ways to motivate the workers."
"No, no, dear Octavia," the Emperor smiled. "I need you here." He turned to the general. "Ride out there. Set the men back to work. Do what needs to be done." His blue eyes hardened. "Terrence, I cannot impress upon you the importance of this task I reward you with."
Terrence bowed. "I will ride for Alba Fucens as soon as my horse is ready, Caesar." The soldier left, his cloak trailing regally behind.
Octavia watched him go then turned back to Nero. "Given the current situation in the city and what's approaching from the north, can we really afford to have him leave Rome?"
Nero smiled mysteriously. "I'm sure we'll be alright."
The bodyguard seemed unconvinced as she looked out into the sweeping garden below the balcony. "What next, Caesar?"
The Emperor set himself to adjusting his laurel once again. "Patience, my dear, Octavia." He smiled. "Patience."
**********
The servants always gave her a wide berth as they darted through the halls, moving with determination to their various tasks. They carried their trays, or platters or urns and, upon seeing her, averted their eyes and stepped to the side, allowing her easy passage. It had been an ongoing occurrence since she had arrived, but Gabrielle only noticed it on this morning.
When did I become that person?
While the servants had been at work for several candle-marks, and preparations for the day were well underway, much still needed attending to. The warrior was on her way out to the balcony where Mira slept--she needed the girl's help and energy.
Warm air and sunlight swelled in the corridor as she approached the doorway. Breezes were still flowing over the city, washing lightly over Gabrielle's skin as she stepped outside. She looked to the west, following the twist of the stagnant Tiberus beyond the hills of the city, out toward Ostia and the sea. A shadow of cloud lay along the horizon. Her instincts had been right, a storm was moving in. Just in time, she thought, looking to the tinder-dry trees with their withered and browned leaves. The warrior was surprised that no fires had erupted anywhere within the capitol up to this point.
She walked around to the east-facing section of the balcony, where the girl had fallen asleep. Sparrows eating crumbs in their anxious way, scattered to the air as she approached. She smiled at them as she rounded the corner. The bench was empty. Gabrielle ran a hand through her hair.
Shrugging, she moved back toward the house. The warrior carried a scroll in her hand, one of 'The Scrolls' as Mira referred to them. In between the chaos of preparation, she had managed to find it among the others scattered about her chambers. Without knowing why, she had taken it.
How old it looks...
And in truth, it was--over forty years old--but to the warrior it wasn't that simple. Parts of her felt as though the scroll came from another life, an artifact written by an entirely different person. Other parts remembered the work, the flow of words, as though they were written seconds before, ink still sinking into papyrus.
The parchment was smoothed to a shine in places, the morning light crowning the cylinder with a soft glow. She smiled at the bindings, repaired and upgraded by an Argive craftsman hired by Virgil years ago. Embroidered there upon the straps, in a bold crimson, was the title of the work: One Against an Army. Gabrielle smirked. I wonder if Aeschylus ever knew I gave him a nod with the title... Her grin splintered into mirthless dissonance and finally a soft frown. No one read this... no one read any of them...
The breezes feathered away, allowing the full heat of the climbing sun to fall upon the balcony. Gabrielle walked almost aimlessly into some shade. She unrolled the scroll just a sliver, letting her eyes pass over the fading words.
And in the face of insurmountable peril, in the shadow of Death Herself,
With poison washing cold through one,
And brutal doubt coursing through the other,
In the light of the cooking fires of the Great King's hordes,
In the shadows of the Persian darkness that settled upon their land,
The fair and true-eyed Warrior Princess
And the flaxen-haired bard that was her soul's mate
Prepared for their last night under the stars,
For surely they would be dead by the end of the next day,
And while doubt and fear for the life of her friend still plagued her,
The steadfast Xena did not run or cower,
She whispered to the poisoned girl, hoping to comfort her with some kind of joy or hope,
"If this is to be our destiny, let's see it out together.
Even in death, Gabrielle--I will never leave you."
"I love you, Gabrielle," said the jet-haired Warrior Princess,
Causing the sick and poisoned bard's heart to leap with soft joy
And--as fleeting and beautiful as sunlight in darkest winter--hope.